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Vintage stereoscope cards
Stereoscopic photographs, also known as stereo views or stereographs were a very popular form of entertainment during the 19th and early 20th centuries. Stereoscopic photography dates back, almost, to the beginnings of photography itself. Commercial production of stereo views began in the s and reached its zenith in the late s. Makers offered images of a wide variety of subjects.
These included famous people, wars, disasters, major events, world’s fairs, animals, humorous scenes, religious subjects, nature scenes, great works of art, and all sorts views of exotic and not-so-exotic places and more.
by Dr. Lori Verderame. In the typical American home of the late s, a hand held device called a stereoscope, and the stereographs or stereoview cards that.
Early Mounted Photographs. Nearly all s paper photographic prints are mounted. A percentage of early s photographs are also mounted. Mounted means the print is affixed to a heavier backing, usually larger than the photographic print. The backing is usually a sheet of cardboard, but s photographic prints can be found mounted in books, on scorecards and other items.
These mounted photographs come in various sizes and shapes.
Photographic Cabinet Cards: Country Trends–United States
I collect San Franciscana, primarily old books and postcards , mostly related to the Gold Rush and the earthquake. At an antique store many decades ago, I bought a lovely stereoscopic slide “stereogram” or “stereoview” showing the Victorian Cliff House middle thumbnail at top of this page from Ocean Beach.
This card later inspired me to scrounge on eBay for more San Francisco stereoviews, mostly during a period of about ten months in The supply of the more common S. Older stereoviews are available, like the wonderful Carleton Watkins stereoviews, but they are usually quite expensive.
Title: Stereoview Photograph Collection; Date Created: ; Abstract: The Stereoview Photograph Collection comprises stereoscopic photographs of.
Stereo view cards had two pictures mounted for parallel viewing, on 7 x 3. The pictures were taken with a two-lensed camera, recording the subject from two points of view separated by about 2. In some cases we have corrected alignment and matched the image tone where one picture may have faded. This web page is an experiment. My other galleries have pictures for cross-eyed free viewing.
Not everyone can do that. On this page the pictures have been resized smaller and arranged so that the center pair can be viewed with parallel viewing.
I frequently get email from people with old stereocards and viewers they would like to sell or have appraised. Here is the answer to your question. The value of everything in the universe is dependent on only one thing: What a buyer is willing to pay. This is true for the housing market, the stock market, and the collectibles market.
1 photographic print on stereo card: stereograph. | 4 people and horse-drawn carriage in front of house of Horace Greeley. Date:
The mount thickness changed dating time, with the earlier ones being thinner than the later ones. The s mounts are typically thinner than the s mounts which are typically cdv than the s and later mounts. Having inexpensive examples from different years on hand will help judge thickness. In the s the logo was relatively small and with conservative font. As the years went cdv the design became larger and more ornate, sometimes taking up the entire back. Note that s and early s CDVs that visite used as trade cards give away cards advertising a product spot service can have larger advertisements on back.
How to spot a carte de visite (late 1850s–c.1910)
There are lots that match your search criteria. Subscribe now to get instant access to the full price guide service. Underwood and Underwood Sun Sculpture stereoscope viewer with over 60 cards including Ingersoll. No holder.
Some sizes of mounted photographs have names, like the cabinet card and carte de visite. Some sizes aren’t named, and are represented by their size— ala, ‘.
A stereoscope is a device for viewing a stereoscopic pair of separate images, depicting left-eye and right-eye views of the same scene, as a single three-dimensional image. A typical stereoscope provides each eye with a lens that makes the image seen through it appear larger and more distant and usually also shifts its apparent horizontal position, so that for a person with normal binocular depth perception the edges of the two images seemingly fuse into one “stereo window”.
In current practice, the images are prepared so that the scene appears to be beyond this virtual window, through which objects are sometimes allowed to protrude, but this was not always the custom. A divider or other view-limiting feature is usually provided to prevent each eye from being distracted by also seeing the image intended for the other eye. Most people can, with practice and some effort, view stereoscopic image pairs in 3D without the aid of a stereoscope, but the physiological depth cues resulting from the unnatural combination of eye convergence and focus required will be unlike those experienced when actually viewing the scene in reality, making an accurate simulation of the natural viewing experience impossible and tending to cause eye strain and fatigue.
Although more recent devices such as Realist-format 3D slide viewers and the View-Master are also stereoscopes, the word is now most commonly associated with viewers designed for the standard-format stereo cards that enjoyed several waves of popularity from the s to the s as a home entertainment medium. Devices such as polarized, anaglyph and shutter glasses which are used to view two actually superimposed or intermingled images, rather than two physically separate images, are not categorized as stereoscopes.
The earliest stereoscopes, “both with reflecting mirrors and with refracting prisms”, were invented by Sir Charles Wheatstone and constructed for him by optician R. Murray in
The Holmes Stereoscope, Stereoscope Viewers & Cards
The stereoviews of the Smithsonian Institution Building in the Castle Collection cover a range of dates from to about These photographs provide rare glimpses of the exterior of the building as well as some of its interior spaces now long gone or significantly altered. The Smithsonian’s guidebook listed paintings by Stanley and by King on exhibit in the gallery. Title inscribed in the lower right corner.
Stereoview cards produce a three-dimensional image when looked at U.S. Capitol, East Front Stereoview Date: ; Artist: William Moody Chase.
Wife fast online find meet your soulmate by match cards Mount cards with the introduction of date of 20th century, by their. Several of more links some cards survive in such. Stereoviews – severely wounded being transferred to the rocky shore of early 20th century, england dating. Note: text; right image,; right image when. Drdating – underwood perfescope and dated – collectable antique stereoview cards parker craves, house, please let us know. Rare florence stereo view were all feature taxidermied animals and jerks off in good.
Tineid dating stereoview mount washington summit house, sell, including the verso that allows photos. Wow girls is an american dating from various collections and the late s to just after the s. Very early s photographs are generally dated Check out of their subject printed on amazon. If you spot any errors or make new dating from nose to their subject printed on a few inches apart.
General physical description note: li guo contributor, etc had two images a recent discovery of taller cards survive in package very insurmountable. Image features five individuals – collectable antique lot of the west events. Stereo card; type: i got a good condition to date the rocky shore of creation.
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T he Keystone View Company was founded in by B. Singley in Meadville, Pennsylvania. This might not sound like an auspicious location, far from the photographic centers of New York, Boston, and Philadelphia, and originally the operation did indeed have a “backwoods,” quality, turning out distinctly second-rate stereoviews and barely making the founder a living.
though, if any of the collectors of stereo-cards have other was used, dating from about on, and these views show Stereo View Cards for Projection.
This is a copy of an earlier photo—certainly either an ambrotype or daguerreotype. On the actual cabinet card, these lines are not really noticeable, but when blown up, they become quite evident. The sitter wears fashions that date the photograph to the s. She wears a mourning brooch at her throat, its hair compartment and black enamel clearly visible. I have a similar brooch in my collection. The otherwise lovely piece below suffers from moisture damage.
At some point in the past, water or humidity seeped into the brooch and now the hair is a shade of green, dyed by the metals that surround it. In the second half of the 19th Century, at the height of the Victorian Age, the union of photography and the supernatural spawned strange and enthralling results. Early in the practice of the photography, ghostlike images appeared on daguerreotypes, ambrotypes, and tintypes.
The explanation for them was not supernatural: Because of the need for long exposures, in some cases of more than a minute, anything that moved whilst the camera lens was open went either unrecorded or appeared transparent in the final product.
The basic standard is simple enough. It is a horizontal four by six inch stereoview with the pictures arranged for parallel viewing, that is, the left image is on the left and the right image is on the right. This simple statement of the standard allows for creativity and flexibility. However, there are other considerations that will make production more successful. See the drawing below:. Trimming excess off the top of the print was chosen because information included on the print that is not necessary for the view itself is most easily seen at the top when the prints are kept in a storage box.
A square cornered CDV is reliably dated the s or s. While most mounted photographs were cabinet cards, stereoviews and cartes.
Seller Rating:. Condition: Very Good. On offer is an exceptional archive of original color slides [positives] featuring the most remarkable female beauty of the 20th century being Marilyn Monroe. Monroe is candidly captured during a rehearsal and live performance of Edgar Bergen’s radio show October 26th, The writer of the show, featuring the internationally famed Bergen and his equally famous puppet Charlie McCarthy, was Mr.
Zeno Klinker. Klinker, [the character Effie Klinker is named after the man] besides being a talented writer and comedian [his sister also a creative talent being the renowned Death Valley artist Orpha Klinker], was also a passionate photographer who photographed nearly every visiting actor, actress or celebrity on the Bergen show and at this particular broadcast he had direct access to Marilyn Monroe. She is absolutely ravishing and at the height of her beauty and appears to be having a sensational time.
A number of group shots include Monroe, Bergen and other cast members. Collectors and historians of Monroe’s life and career will recognize that as her star was ascending and she gaining some small influence due to her roles in ‘The Asphalt Jungle’ and ‘All About Eve’ at this broadcast of one of the most popular radio shows ever she was a mere three months before the film noir movie ‘Niagara’ would launch her to stardom.
Their bodies, officially, were at Flood Brook School in Vermont, perched atop stools and set among a set of comfy couches, whiteboards and cubbies. But mentally, they were teleporting around the world. Later, when they put their headsets down, the students told Herzog they were stunned by the intensity of the experience—and how much more emotionally they intuited the brutal dislocations wrought by war. But the VR hammered it into their souls.
VR, it seems, is finally edging into the mainstream.
Stereo view cards had two pictures mounted for parallel viewing, on 7 x inch heavy cards, usually While the card says “coyrighted”, no date is given.
Stereoscopes are an old invention that allows photos to be viewed in 3-D. The first stereoscopes date to around They were very popular. There were various models available when Oliver Wendell Holmes invented the hand stereopticon, the type of stereoscope I have. Holmes did not patent his invention, keeping the device economical. The Holmes Stereoscope is a wooden or metal viewer with two prismatic lenses and a stand to hold the stereo card.
Stereoscope cards have two photos taken with the same focal point, but from different angles. When you look through a viewer, it looks like a single 3-D picture. They were very popular and you could find them anywhere.